Digital Piano Glossary — Plain-English Definitions
Buying a digital piano means navigating a maze of technical terms. This glossary defines the concepts you'll meet on spec sheets and in reviews, written in plain language for people choosing their first — or next — piano.
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Keys & Action
- Weighted keys
- Keys that resist finger pressure the way acoustic piano keys do. Essential for building piano technique. Digital pianos achieve this by adding small weights or a hammer mechanism under each key.
- Graded hammer action
- Weighted keys where the bass end is heavier than the treble — the same gradient you feel on an acoustic grand. This is the standard for any piano meant for serious practice.
- Semi-weighted
- Keys with a light spring plus a small weight, but no hammer mechanism. Heavier than a synth, much lighter than a true piano. Common on arrangers and entry workstations, but not ideal for classical practice.
- Escapement (let-off)
- A subtle notch you feel partway down a grand piano's key travel, from the hammer disengaging. Premium digital actions simulate this for a more authentic touch — useful mostly for classical repertoire.
- Ivory / ebony feel
- A fine-textured key surface that absorbs moisture from fingers and improves grip, imitating real ivory and ebony keytops used on vintage pianos.
- Touch sensitivity (velocity)
- How the piano responds to how hard or softly you strike a key — louder when you hit harder, softer when you play gently. Usually adjustable between a few presets.
- Triple-sensor detection
- Three sensors along a key's travel detect finer gradations of motion, especially during fast repeated notes. Higher-end actions use this; two-sensor systems are common on entry pianos.
- 88 / 76 / 61 / 49 keys
- 88 keys covers the full acoustic piano range and is the standard for serious practice. 76 covers most popular and classical repertoire. 61 is the keyboard standard. 49 is mini-key territory, suitable for beginners and compact setups only.
Sound & Voicing
- Polyphony
- The maximum number of notes the piano can produce at once — including held notes and decaying reverb tails. 128 is enough for most players; 192-256 is common on higher-end models.
- PCM sampling
- Real recordings of acoustic notes stored in the piano and played back on each keystroke. The most common sound-generation method. Sample quality and quantity vary widely.
- Sound modeling (physical modeling)
- The piano calculates each note's sound in real time from a mathematical model of a real instrument rather than replaying samples. More dynamically responsive, used by Roland SuperNATURAL, Kawai Harmonic Imaging XL and similar engines.
- String resonance
- Simulation of how strings on an acoustic piano vibrate sympathetically with the notes you play. Adds a sense of depth and realism. Usually adjustable from off to strong.
- Damper resonance
- The wash of open-string resonance you hear on an acoustic piano when the sustain pedal is pressed. Quality implementations make a clear difference; cheap ones are subtle.
- Key-off samples
- The faint noise of a damper returning to the string when you release a key. Found on higher-end pianos; contributes to a natural, finished sound.
- Reverb
- Adds a sense of space — room, hall, cathedral. Most pianos offer several types with adjustable depth.
- Chorus
- Layers slightly detuned copies of a sound to thicken it. Common on electric piano, strings, and pad voices; rarely used on acoustic piano sounds.
Pedals
- Sustain pedal (damper pedal)
- The rightmost pedal. Holds notes after you release the keys by lifting the simulated dampers. The one pedal every piano needs.
- Soft pedal (una corda)
- The leftmost pedal on a three-pedal unit. Softens the tone, simulating an acoustic grand's shifted hammer. Required for some classical repertoire.
- Sostenuto pedal
- The middle pedal. Sustains only notes being held when the pedal is pressed — useful for holding a bass note while playing melody lines above. Less common in digital pianos.
- Half pedaling
- Partial depression of the sustain pedal for gradations of damper control. Only works with continuous (pressure-sensing) pedals, not simple on/off switches.
- Continuous pedal
- A sustain pedal that senses how far it's pressed down, enabling half-pedaling. The better pedals included with mid-range and up digital pianos are continuous.
Connectivity
- USB MIDI
- A USB cable carries MIDI data between the piano and a computer or tablet. Used for learning apps, notation software, and DAWs. Universally supported, zero latency issues.
- Bluetooth MIDI
- Wireless MIDI to a phone or tablet for apps like Flowkey, Simply Piano, or GarageBand. Convenient; slightly higher latency than USB but usually imperceptible.
- Bluetooth Audio
- Streams audio from your phone through the piano's speakers — play along with songs, follow YouTube tutorials. Different feature from Bluetooth MIDI; pianos often have one but not the other.
- Line out
- Stereo (or mono) output jacks to send the piano's signal to a mixer, amplifier, audio interface, or recording setup. Essential for stage and studio use.
- Aux in (audio input)
- Stereo input to mix external audio (phone, tablet, backing track) with the piano's sound through its own speakers. Handy for practice with recordings.
Features & Performance
- Dual / Layer mode
- Plays two sounds at once across the whole keyboard — classic piano + strings, for example. Great for ballads; uses more polyphony.
- Split mode
- Assigns different sounds to the lower and upper halves of the keyboard — bass on the left, piano on the right, for instance. The split point is usually adjustable.
- Duo / Duet mode
- Divides the keyboard into two identical ranges at the same octave so a teacher and student can play the same part side-by-side. A great feature for lessons at home.
- Transpose
- Shifts the pitch of the whole keyboard up or down in semitone steps — play in one key while the instrument sounds in another. Useful for accompanying singers.
- Metronome
- Built-in timing click that helps you practice at a steady tempo. Adjustable BPM and time signature on most models.
- Lesson function
- Preset songs split into left and right hand parts, with the option to mute one hand and play along. Yamaha and Casio models are particularly strong here.
- Recording
- Captures what you play as MIDI data (sometimes audio too). Lets you review your practice or layer multiple parts. Track counts range from 1 to 16 depending on model.
- MSRP vs. street price
- MSRP is the manufacturer's listed retail price. The street price — what retailers actually charge — is often 10–30% lower. Compare both when budgeting.