The familiar comparison, with one piece moved
Since the P-225 arrived in 2023, one of the standard questions in this class has been Roland FP-30X vs Yamaha P-225. Roland announced the FP-40 in September 2026, so buyers now ask the same question with the new Roland in its place. Roland has not called the FP-40 the FP-30X's successor and still lists the older model, but the FP-40 is the Roland portable that many shoppers will now set against the Yamaha P-225.
Most of the Roland case carries over: the same key action, Bluetooth MIDI, 256-note polyphony. One thing does not. The FP-30X matched the P-225 with two headphone jacks. The FP-40 has one. That single change shifts who each piano suits.
A note on method: this is a spec-based comparison. We have not played the two side by side, so we describe what each maker built rather than rule on feel.
Keys: escapement against Yamaha's compact graded action
The FP-40 uses Roland's PHA-4 Standard keyboard, which Roland lists with escapement and Ivory Feel key surfaces. The P-225 uses Yamaha's Graded Hammer Compact (GHC) with matte black key tops.
On our spec-derived touch scale, PHA-4 Standard sits two steps above GHC. That number comes from published construction, not from playing them. It reflects that the Roland adds an escapement mechanism and a textured key surface, and that GHC is Yamaha's shorter, compact version of its graded action.
Some players prefer the Yamaha's touch for its own sake, or plan to move to a Yamaha acoustic or console later and want to stay with one maker's feel. That is a sound reason to pick the P-225, and a number on a scale will not settle it. Try both if you can.
Bluetooth: the difference for app learners
Both pianos have Bluetooth audio, so both can play music from a phone through their own speakers. The difference is MIDI.
The FP-40 has Bluetooth MIDI. It sends the notes you play to an app without a cable, which is what note-tracking practice apps rely on. The P-225 does not have Bluetooth MIDI. It connects to apps such as Yamaha's Smart Pianist over USB instead.
If you learn with an app that listens to your playing, this is the strongest argument for the FP-40: open the app and play, with no cable to run from the piano to a tablet. If you learn from a teacher, a book or by ear, the difference hardly matters.
The FP-40 adds two newer features on top. Its Bluetooth 5.4 also supports LE Audio, and it has built-in Wi-Fi on the 2.4 GHz band, which Roland describes as a way to receive system updates over a home network. The P-225 has neither.
Headphones: where the P-225 now has the edge
This is the point that separates this comparison from the FP-30X one.
The P-225 has two headphone outputs, and Yamaha adds its Stereophonic Optimizer for headphone listening. The FP-40 has one, a stereo mini jack that also takes a headset with a microphone, with Roland's Piano Reality Headphones Ambience for headphone listening.
For a single player practising late in the evening, one jack is enough. For a household where a teacher or parent wants to listen along on a second pair, the P-225 does it directly and the FP-40 needs a splitter. If you already own headphones with a 6.3 mm plug, check the adapter situation for the FP-40, whose only jack is a mini jack.
Sound, tones and speakers
The FP-40 uses the Piano Reality Sound Engine and offers 256-note polyphony. The P-225 uses Yamaha's sound with Virtual Resonance Modeling Lite and offers 192-note polyphony. For most solo repertoire both are enough. The higher figure gives more headroom when you hold the sustain pedal through thick chords.
Speaker layouts point in different directions. The FP-40 drives two 8 × 12 cm speakers in a speaker box at 12 W × 2. The P-225 spreads 14 W across four speakers. More watts on one side and more speakers on the other do not tell you which sounds better in your room. That is worth hearing in a shop.
The FP-40 has 305 tones, 40 on the panel and 265 through the Roland Piano App. The P-225 has 24. If you mainly play piano, both have more than you need. If you want to explore other instruments through an app, the Roland has far more to offer.
The FP-40 lists a lesson function, supported by Roland's Piano Sphere app, which Roland says offers 100 songs from day one. The P-225 has no lesson function.
Size and what comes in the box
- Roland FP-40: 1,307 mm wide, 332 mm deep, 122 mm high (music rest detached); 14.0 kg with the music rest
- Yamaha P-225: 1,326 mm wide, 272 mm deep, 129 mm high; 11.5 kg
Width and height are almost the same. The P-225 is 6 cm shallower and about 2.5 kg lighter. On a narrow desk, or for a piano you carry from room to room, that difference is noticeable.
Both include a basic pedal switch and neither includes a stand. For the FP-40, Roland offers the KSF-40 stand and KPD-70 three-pedal unit as options. Neither runs on batteries. Both have line outputs, recording, and layer and split.
Which one to choose
Choose the Roland FP-40 if you practise with an app that tracks your notes and want to connect without a cable, if you want an action with escapement, or if you want the extra polyphony and the large app tone library. It suits a player who practises alone on headphones.
Choose the Yamaha P-225 if two people need to listen on headphones, if you want the lighter and shallower instrument, if you prefer Yamaha's touch or plan to stay with Yamaha, or if you learn from a teacher or book and do not need wireless MIDI.
If you want both Roland's Bluetooth MIDI and two headphone jacks, look at the FP-30X, which Roland still lists. Our Roland FP-40 vs FP-30X comparison covers what separates the two Rolands.